Robin and Felicia go to Lavenham, in Suffolk, to paint a betrothal picture of the son of clothier Roger Pettiman. They little expect to be involved in the investigation of the disappearance of the bride's parents! They also little expect to discover 'goings ons' as it would be described in Suffolk that would, according to Felicia's assessment, not be out of place in the sophisticated and vice-ridden Venice.
I've decided to stick with the wood-cut look for the cover, this one I haven't emphasised the foreground figures with heavy pen. The dyer in the background is taken from a late 15th century woodcut.
I've tried, as always, to be as accurate as possible in what I include about the dye and fabric trade, this book is dedicated to my mother who first nurtured my interests both in fabric and history and indeed their combination, having studied the wool trade as part of her Tailoring examinations. As a small child I went with her around many Suffolk villages noting 'Wool churches' and helping rub brasses commemorating clothiers and wool merchants, so this has grown partly out of some of my earliest memories.
