Kindle overtakes this neo-luddite...

Well it took me a long time to accept the idea of digital cameras [and now I have an SLR which can do anything a real camera can do except the specialist function of a shifting front camera] and it's taken me a while to accept Kindle too.

Well I got there.  Death of a Fop is not only on Kindle, but from 1st July to 5th July 2012 it will be free!  And guess what, Amazon's special widget to allow me to post links isn't working... so I've put it in manually: DOF Kindle

I will be adding William Price of the 'Thrush' and Poison for a Poison Tongue to Kindle, hopefully over the next few days if I can get up the courage to jump through the various necessary hoops....

The War of 1812...and, er, also 1813, 1814 and a smidgeon of 1815

Also announcing the publishing of 'William Price and the 'Thrush'' which should be on Amazon any day now.

Now it’s the bicentennial year of the war of 1812 it’s very appropriate that I have published ‘William Price and the ‘Thrush’’ as William’s adventures take part in that slightly misnamed war that suggests the hostilities were confined to one year.  This is a war in which neither side is particularly covered in righteousness or glory; one of those wars without a real baddie where neither side was entirely in the wrong – or entirely in the right.  The acronym SNAFU may not have been coined until WWII but it might well have been applied to this war.

The War of 1812 in fact took place over the next two years from its declaration on 18^th June 1812 and spilled over into 1815, when the battle of New Orleans was fought on the 8^th January 1815 after the Treaty of Ghent had been signed ending the war on Christmas Eve 1814.

The main reason for the war, though it was never really admitted to, was the desire of the United States to add Canada to their possessions.  However America was also sore at Britain on a couple of counts, which were the publicly claimed reasons for declaring war. Firstly, British warships had a habit of stopping and searching American ships for deserters or those they claimed as British citizens, which could at times be very loosely interpreted to include those who had emigrated.  The other bone of contention was the Orders in Council; these were laws enacted by the king and his advisors which had not passed through Parliament, and which forbade trade between America and any port in possession of the Napoleonic Empire.  This was naturally very unpopular, and British trading interests also protested.  The laws were repealed but by the time this was enacted, war had already broken out.  Britain had its own grievances, in wanting those who had fought on the British side during the American  War of Independence to have their property and civil rights restored.

During the war, America tried unsuccessfully to invade Canada, and made several object lessons to the Royal Navy about how to outbuild and outsail British shipping.  Britain burned Washington and damaged the White House, which acquired its iconic name from that point since it was hastily painted white to obscure the scorch marks.  Britain also donated an iconic song to America by presenting them with the rocket’s red glare in the use of Congreve’s rockets. 

Britain did not really throw her heart into this war, being a little preoccupied with the aggression of Napoleon Bonaparte.  However, when Bonaparte was confined [albeit briefly] to Elba in Spring 1814, Britain could afford to concentrate a little harder on her second front.  This, incidentally, is why Waterloo was, in the words of the Duke of Wellington, “a damned close run thing”, since the veterans of the Peninsula War had gone to help the Canadians and their Native allies; and Wellington was forced to operate with green troops ‘an infamous army’ during the 100 days when Napoleon escaped and returned.  The increase in British involvement in 1814 brought about a grinding to a stalemate and the Treaty of Ghent.

A lacklustre commander meant that a British counter-invasion launched from Canada was a total failure, and American overtures for peace were readily accepted.  The terms were effectively a return to status quo ante bellum, a return to the state of affairs as they were pre war, effectively meaning that a lot of people had died and been injured for bugger all, a lot of money had been spent on both sides for nothing, and the grievances of both parties went entirely unaddressed.  What a bloody waste of time – and I pick my words most carefully.

References

Richards & Hunt, ‘Illustrated History of Modern Britain 1783-1964’ Longmans 1965 [old but still a good basic reference]

Ed. Gardiner, Robert, ‘The Naval War of 1812’ Chatham Publishing, 1998

Hitsman, J Mackay,  ‘The incredible war of 1812’  The University of Toronto, 1965

STOP PRESS! 'Death of a Fop' is now on Kindle! 

Why I like to write Jane Austen spinoffs

Having sent for a second proof of 'William Price and the Thrush' now all the revisions are complete, and having been writing like mad on sequels to 'Death of a Fop' I paused to wonder what it was that made Jane Austen so popular for fanfiction writers. 

Speaking for some that I have read there seems to be a theme of 'what if'; that if one small thing were changed what might have happened, for example, what might have happened had not Elizabeth Bennett heard that disastrous comment  about being 'tolerable'.  Although I find the better-written examples of these 'what if' scenarios may be entertaining to read, they are 'not enough to tempt me' as one might say in terms of writing.  For me, Austen has told the tale the way she wanted to tell it, and she is the master, I am but the learner [sorry, wrong universe!]. However from a child I have always wondered 'what happened next' in stories, which is why I lapped up such things as the Famous Five of Enid Blyton, who had an adventure every holiday, as did Malcom Saville's excellent Lone Piners, Arthur Ransome's Swallows and Amazons and so on; and as I grew older, I found those stories like Swallows and Amazons where the protagonists grew up and grew as characters were the more satisfying.  When I discovered EM Brent-Dyer's Chalet School series which spanned generations, literally, of schoolgirls, I was captivated by how much a series could encapsulate.

Returning to the world of Jane Austen, I again was drawn so into the stories that I found myself wondering what happened next; for some people the immediate consequences of living happily ever after were definitely implied, but Austen is such a master that her lesser characters also live quite vividly, even those who only make a brief appearance - like William Price, sailor brother of Fanny in Mansfield Park.  In the few short sections which include him he is delightfully depicted as a man who is deeply loyal to his sister and totally enamoured of his chosen career as a naval officer.   Equally, in Death of a Fop, I was drawn to Jane Fairfax in 'Emma' and felt that there was a lot more to her than appeared on the surface - my opinion is amply backed by Mr Knightley - and that she was throwing herself away on Frank Churchill.  Frank was plainly a man who was deeply in love with Frank Churchill, and gave every appearance of having a weak, vain, character that disliked being thwarted.  My premise for his supposed devotion to a penniless girl like Jane was that he wanted someone he could bully as a catharsis to his reactions to his controlling aunt.   Jane was so desperate to escape a life as a governess that she was willing to be pliable and, once flattered into thinking herself in love, was ready to fall in with his plans in any respect.  The way he humiliates her on the picnic is quite nauseating - I have had some experience with abused wives and I felt sick to the stomach with recognition of some of the symptoms.  It occurred to me that once the scales of luuurve fell from Jane's eyes, she was probably capable of a lot of inner strength and stubborn rebellion.  She had growing and developing to do, which made her for me a more interesting character than Emma, whose pilgrimage from 'Mr Woodhouse's daughter' to 'Mr Knightley's bride' had been the main thesis of the book as Emma learned that people did not always like the same things that she did, and that kindness and well-meaning had to be allied with thoughtfulness and compassion.  And no, don't worry, I'm not about to launch into an essay on the same.

My desire to follow up more 'what happened next' stories will continue, as well as a series about Jane and the Bow Street Runner.  I have three novellas to publish as a book waiting for first editing, and I'm about three quarters of the way through a full length novel following them.  Unless I decide to take them apart and make each of them into a novel when I edit.  Things like that can happen.... 
I have also every desire to publish 'Vanities and Vexations' which is the tale of what happened next to the women of the Bennett and Darcy families.  Elizabeth Darcy has, if she but knew it, just enough of her mother in her to have the drive to want to make sure that her new sister Georgiana is as happy as she is herself. 

Well, there you have it.  Happy ever after isn't enough for me; greedy, aren't I? 
Of course one of the other authors who gives us wonderful secondary characters is Georgette Heyer; but her books are covered by copywrite.  Pity....